Impianto audio / FOH:
– 24 sistemi line array D.A.S. Audio, mod. AERO CA-28B con rigging (100° horiz. x 10° vert. / 134 dB max spl@1mt each)
– 04 sub D.A.S. Audio, mod. AERO CA-215 SUB (2 x 15″ / 135 dB max spl@1mt each)
– 06 sub D.A.S. Audio, mod. AERO 218 SUB (2 x 18″ / 142 dB max spl@1mt each)
– 02 Full-range HK, mod. Linear 5 115 F (asymmetric Horn 60° – 90° x 55° / 139 dB max spl@1mt each)
– 04 subwoofer (1 x 18″/2000W cad. / Sensitivity 105dB – 137 dB max spl@1mt each)
– 04 sistemi FBT Vertus CLA 406a (4 x 165mm + 1 x 36mm – 100° horiz. x 25° vert. – / 133 dB max spl@1mt each – 600W + 300W power – 65/20000 Hz)
– 04 Sub woofer Yamaha DXS 18 (1 x 18″ / 136 dB max spl – 1020W class D internal power amp.)
– 02 Sub woofer Yamaha DXS18XLF-D (1 x 18″ / 136 dB max spl – 1600W class D internal power amp.)
Amplificatori / Power amps:
– 02 x Chevin Research mod. A6000 (= 4ch x 3.000 W/2ohm)
– 04 x Chevin Research mod. A5003 (= 8ch x 2.500 W/2ohm)
– 04 x Chevin Research mod. A3000 (= 8 x 1.600 W/2ohm)
Amplificatori aggiuntivi / More power amps (frontfill / delay / center / rear / monitor / LFE):
– 1 x QSC MX-3000 (= 4ch x 1500 W/4ohm)
– 2 x QSC PLX 3402 (= 4ch x 1100 W/4ohm)
– 1 x RAM Audio, mod. Bux 1.6 (= 2ch x 1000 W/4ohm)
– 4 x Behringer EP4000 (= 4 ch x 4000 W/4ohm, bridged – damping > 300)
– 1 x The t.amp Pro TSA 4-700 (= 4 ch 490 W/8 ohm, 4 x 810 W/4 ohm, 4 x 930 W/2 ohm, 2 x 1600 W bridged/8 ohm, 2 x 1800W bridged/4 ohm – damping > 400)
– 02 Chevin Research, mod. Q6 (= 8ch x 600 W/4ohm)
Potenza totale dei finali: 80.000 watt
Varie / Other:
– 04 Digital signal processors / drive-racks, 24 bit/96 Khz – 3 In / 6 Out each
– 02 Eq. 2 x 31 bands 1/3 oct
– 02 Analizzatori di spettro con sonda
Mixer audio:
– Digital Mixer FOH / Monitor Yamaha M7-CL 48/16/2/1
– Digital Mixer FOH / Monitor Yamaha QL1 (32 + 8/16/2/1) (FoH in surround 5.1) + DANTE
– Digital Mixer FOH / Monitor Yamaha LS9/32 32/16/2/1
– Digital Mixer FOH / Monitor Yamaha TF 1 (40 / 16 / 2) + DANTE
– 02 Stage box Yamaha Tio 1608-D (32 IN / 16 out)
– Digital Mixer FOH / Monitor 64 In / 64 Out (Preamp Focusrite) top quality (fino a 50 linee monitor separate e suono FoH in surround 8.1)
– Analog Mixer FOH / monitor Allen & Heath GL-4000 – 40/8/2/1 – 10 aux
– Full Digital Mixer FOH / Monitor Midas M32 + 02 x S16 (remote digital stage boxes)
Ouboards / Processori effetti esterni:
– 01 Yamaha SPX-990
– 01 Lexicon MPX-500
– 01 Alesis Midiverb II
– 01 Yamaha REV-5
– 01 Alesis Microverb IV
– 01 Feedback destroyer – 2 ch
– 01 Delay Roland SDE-3000
Analog outboards / Processori di dinamica analogici:
– 01 channel strip Joemeek Six-Q
– 01 channel strip Drawmer MX-60
– 01 tube preamp TL Audio Ebony A1 (2 ch)
– 02 DBX 160A
– 01 LA Audio GCX 2 (2 ch comp/gate)
– 02 DBX 166 (4 ch comp/gate)
– 01 UREI 1178 (2 ch comp / limiter)
– 01 La Audio C8 (8 ch comp.)
– 01 Drawmer DS-404 (4 ch gate)
Varie / Other:
– Cd and Media player
– 15 mt cable cross / 3 vie
– Stage Box 50mt – 48 ch XLR
– Stage Box 50mt – 16 outs XLR
– 02 Snakes 16 In / 04 Out XLR – 30 mt
Monitor da palco / Wedge monitors / Point Source P.A. speakers:
– 04 D.A.S. Audio ST-32 (1 x 15″ + 1 x 2″ – 80° x 50° passive)
– 02 D.A.S. Audio PF series (1 x 15″ + 1 x 1,5″ – 90° x 50° passive)
– 02 RCF ART 500 (1 x 15″ + 1 x 1,5″ – 90° x 60° / 500 W attive)
– 02 Caber CR-850 (2 x 15″ + 1 x 2″ passive)
– 04 RCF ART 710 (1 x 10″ + 1 x 1,5″ – 1400 W Peak – 129 dB max spl – 90°h x 70°v attive)
– 02 FBT Evo Maxx 4a (12″ – 130 dB peak – 90°h x 60° v attive)
– 04 Caber wedge coassiali 12“ (passive)
– 02 RCF TT25-A II (1 x 15” + 1 x 1,5” – 90° horiz x 60° vert / 1100 W class D – 134 dBspl max)
– 02 RCF TT2-A (1 x 12” + 1 x 1,5” – 90° horiz x 50° vert / 1100W + 500W – 134 dBspl max)
– 06 Behringer F1220A (1 x 12″ + 1 x 1″ – 70° h x 50° v / 150w attive – 119 dBspl max each)
– 02 Behringer VP1220F (1 x 12″ + 1 x 1,75″ – 80° h x 50° v / 800 W – 8 Ohm passivi – 126 dBspl max each)
– 04 dB Technologies Cromo 12+ (1 x 12″ + 1 x 1″ – 90/70° h x 50° v / 600 W class D – 126 dBspl max each)
– 02 Yamaha DXR 15 (1 x 15″ + 1 x 1,4″ – 90° h x 60° v / 1100 W class D – 133 dBspl max each)
– 04 Yamaha DXR 12 (1 x 12″ + 1 x 1,4″ – 90° h x 60° v / 1100 W class D – 132 dBspl max each)
– 04 Yamaha DXR 8 (1 x 8″ + 1 x 1,4″ – 90° h x 60° v / 1100 W class D – 130 dBspl max each)
– 04 Yamaha DSR 115 (1 x 15″ + 1 x 1,4″ – 90° h x 60° v / 1500 W class D – 136 dBspl max each)
Cuffie / In ear monitor & Headphone amps:
– Sehnneiser ew300 wireless IEM
– Shure wireless IEM
– 08 Ch headphones amps (a filo / wired)
Microfoni / Mics:
– Shure Beta 52
– Shure Beta 91A
– Shure SM 57
– Shure SM 58
– Shure Beta 58
– Shure Beta 56A
– Shure Beta 98
– Sennheiser e904
– AKG C1000
– Shure Microflex MX 202 cardioid
– Shure Microflex MX 202 supercardioid
– AKG SE300B + CK98 (shotgun)
– AKG SE300B + CK91 (cardioid)
– AKG D-112
– AKG C3000
– AKG D-3900
– Sennheiser MD-421 (vintage)
– Shure BG 4.1
– Audix D-1
– Blue enCORE 100i
– Electro Voice N/D 967
– M-Audio Nova
Microfoni senza filo / Wireless mics:
– 04 ricevitori Sennheiser Evolution D1 digitali + 02 trasmettitori palmari 935, o 03 bodypack + microfoni headset Beyerdynamic TG H54 (cardioid, condenser)
– 04 ricevitori Sennheiser Evolution EW 100 G2 con bodypack + microfoni headset Beyerdynamic TG H54 (cardioid, condenser)
– 01 ricevitore Sennheiser Evolution G2 con bodypack + microfono headset Sennheiser (dinamico)
– 01 ricevitore Sennheiser Evolution G2 con microfono palmare Sennheiser 835 (dinamico)
– 01 Ch digital LINE 6 XDV-70 (palmare con 6 simulazioni di capsule, body-pack con lavalier a condensatore, oppure headset cardioide a condensatore skin color)
D.I. Box:
– 04 ch. active BSS D.I. box
– 06 ch. active Behringer D.I. box
– 04 ch. passive Behringer D.I box
– 04 ch Stage Line passive D.I Box
Quadri elettrici:
Quadro elettrico 125A – 3F + N + T
Quadro elettrico 63A – 3F + N + T
Distribuzione monofase + protezioni con differenziali e magnetotermici
